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During the month of June was held the 4th LIVING WATER, and the selected works were exhibited from 03 to 25, in room exhibition of Julio Pérez Ferrero Library Division.

During the development of these four versions, we have seen the Hall of Water has been generating a dynamic that leads to the creators to be proposititos in the works present, generating expectations in both the artists and the public common. Therefore, it has been establishing itself as the place of confrontation, par excellence.

First Prize PISCINAZO SUNDAY "FIGHT BRAHIM artist, is an oil painting on wood, assembled with an aluminum punch, and given as a piece of ground.

The aluminum punch bowl is an icon in the cultural construction of the country. Belongs to us all as an object of the house, as traditional water container, which served both for cleaning chores, and for refreshing bathing babies.

On the other side is the image that is universal, but we recognize very own Cucuteños us, as it is "Sunday in the pool bathroom." Image in turn set up a traditional material, oil on wood, which gives the resulting object that warm spectrum.

By fusing an image that belongs to the collective memory, with an object icon in the cultural construction, it is proposed a piece that speaks of identity.

The piece is a floor, since this is the place where it is customary to place the punch bowls in the sink. This intention is reinforced by developing the scene as an aerial view.

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The Second Prize FRESHWATER BEADS AND FOAM OF THE SEA, by the artist NELLYDA AMPARO CARDENAS, is a proposal that shows a clear gender status, from the use of tissue, women historical work, which develops as a network, such as cast nets, from which hang off various pieces of pottery that represent water droplets that cross, flowing from the network, and serve, by weight, for create tensions that make up formally in the space fabric.

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The inclusion of the ceramic corresponding to their status indelible pottery and the use of fabric is a new proposal for this artist, we see an ongoing exploration and research for new searches, with which we are surprised greatly every time we offer one of his works.

Third prize WATER VESSEL, EMILIO JESUS \u200b\u200bQUINTERO artist, is a painting on canvas, which weighs about the great sensitivity manifests itself in the application of glazes in layers, sometimes organic, sometimes rigid. Luminosities in the bottom left of the canvas, like the left side, repeat the rigid application of the foreground, creating a visual tension with the blueprints first. And it is this spot, so rigid, that succeeds, by overlapping, integrating white floating vessel to work.
painting is a sensitive, low field, but of great craftsmanship.


addition to the works awards, there are certain parts in the sample should be highlighted, as

WATER SUBLIMINAL the artist MARIA BELEN HERNANDEZ, (digital photography, installation). In the latest exhibitions the artist has participated, we have found works that can be seen a serious exploration about the media from photography, and the available support.

In this case, achieved some images in which the relief is predominant factor that enhances the appearance of aerial mapping of some parts, or worlds fluids, amniotic, in others. Are images invested with the mystery of the bottomless ravines, aquatic depths.

POLUSION MAN-Y Series "SEED", artist CACERES JOSE IGNACIO, is a facility where technical ceramics, water is a determining factor in the work-material is made that looks like sandstone, clay, mud and color that we recognize as our own. This makes these "pods" that are listed as soft canoes in which their contours are reminiscent of the rolling cadence of water away. Water that has been replaced by parts of a bill that looks like an industrial product, rigid, repetitive, and if it were another viable material. It is this contrast in treatment, which gives the poetic tone work.

HAD SED JAVIER ANDRES Sguerra artist, is a large format photograph (1.40 x 2.00 meters). In it there is a large upper flat black background, where it develops a red spot and textured, which shapes the image of a face. Face that is more or less visible depending on the distance from the viewer, and has been manipulated by blending effects. The large format and computer use in image manipulation, are valuable resources and very valid in the artistic. This paper

must stop at the strip of pictures that are located at the bottom of the work, and understand how the very life of artist, casual moments are perfect pretext to develop artwork.

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ABAJOMEMOJABA, video of the Collective of the same name, and composed of LEONARDO PARRA, JUAN CHANNEL and CARVAJAL FABIOLA. This video surprised by the reaction of the public to see images Pamplonita river passing through the city, where young children are swimming, or where a flock of herons rest, drink or eat. But are bewildered to see fishermen throw your cast net into the water. Viewers are confronted with himself, and discovered the river back living.

CONTAINERS Artist Photography GABRIEL CASTILLO, is a play where the play, creativity, resourcefulness, and an eye ready to see new worlds from the world itself, lead to the artist to propose a totally contemporary version of the theme of still life committed. The use of stones, the contours of the forms, belongs to Gabriel from many years ago, when striking balances created them. Then we have been painted with the faces of the players in the local football team, or as large and amorphous balls found in many parts of the metropolitan area.
addition to the conceptual nature of the reference to the still life in this work is that computer games, from simple, which makes this, a deep image. It is a work that has an aura of childhood.

CARRILLO JUAN BAUTISTA proposes sound as a significant factor in his work. A background image is not deep, and rocky, a stream where shade is reflected in the silhouette of the artist as an obligatory reference to Narcissus. Photo printing presents real submerged under water, which is contained by the tray support, very well constructed of transparent acrylic. The proximity of spectator, and this movement imperceptible to us, our weight when walking on the floor, manages to convey a vibration that produces motion to the water. The audio is a resource that "immerses" the viewer into the work.