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Fabia Mena, architect and visual artist, takes the leftover wood from which the technicians have removed the heels of shoes for women and assembles without glue or any subject, making pressure and adjust , the configuration of the form. Creating an element that is taking architecture as if it were a parasite. A work in process is a dialogue with the architecture, which makes wrapping your forms offered as a structure, while the pieces cling to one another like a lusty dance to achieve a waiting room "in situ". digital image of the fund is also belongs to the creator.
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Photo: DAN GAMBOA 
Photo: DAN GAMBOA .
photographer Gabriela Sierra generates a wide black strip that emerges from the soil and grows continuously until the middle of the high ceiling, visual and sensory fragmented architecture and exhibition space. Photographic images on this places seeking very specific issues in the creative process that exploits the DEMOLITION of the architecture that supports his work for the passage of a page, or closing a chapter. Knew how to take advantage of the opportunities that offered formal architectural details of the location. Extending the black paint of the strip, take the bathroom door, segmented image sizes for each division and strategically located in each of them.
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Juan Carvajal Franklin, writer and historian, spoke of the dining space with images that have been studied in texts such as the incunabula "Cronicarium Lieber." Intelligent use architectural details and decorative had strategically placed space images, which are accompanied by words, short phrases or texts, which reinforce the intention of the iconography, and with which the author reveals that deep bite that characterizes him. .
The architectural style of the time it was built "house" and furniture that still remained on the site, such as grand piano, offering wonderful opportunities that it took advantage of scenic Juan Camilo Ayala photographer Suz. With the appeal of drawing with light, where the flash fires repeatedly from different angles in the same shooting, the operator achieves a spectral images yet evocative, nostalgic and a little romance, which printed an affable to each photo. .
Fourth Oblivion, where the poet Saul Gómez Mantilla, accompanied by poetry workshop students, took all the existing surface to shape their own texts that I printed a special aura to the space. .
Photo: DAN GAMBOA 
Photo: DAN GAMBOA .
Just as the previous operator, the architecture student Carlos Cardenas, take advantage of the record left by the ordinary objects of place, in this case the frames. Flat pictures printed on them, as an allegory, using as material a box of face powder makeup he found abandoned in one of the bathrooms in the house.
Photo: DAN GAMBOA
Photos: DAN GAMBOA
From the warmth of home (kitchen) the writer Oscar Shonewollf write for days and days, displaying his writing until the next space of the house. Encapsulating text in the records left by the patina of time to discover the outline drawn on clear paint of the same tone that emerges from the trail left by the furniture to be removed from the wall.
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Just as the previous operator, the architecture student Carlos Cardenas, take advantage of the record left by the ordinary objects of place, in this case the frames. Flat pictures printed on them, as an allegory, using as material a box of face powder makeup he found abandoned in one of the bathrooms in the house. .
Photo: DAN GAMBOA
Photo: DAN GAMBOA 
Photos: DAN GAMBOA interfere with the performance by Rolando Franco Ceron and Lud Dary, was full of deep meaning and disturbing capacity that characterizes this type of proposal of Rolando. Who this time was accompanied by an actress that he gave the character required for the character I play, making a total credibility in a room where the two players ran aesthetic risks to an audience that contained from children to seniors, and were victorious.
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